Why Did You Write This As Fiction and Not a Family Memoir?

When I meet with people who are interested in discussing The Unveiling with me, one of the most frequent questions raised is “Why did you decide to make this a historical novel rather than a memoir?”

Let me explain why I decided to write it as fiction.

From the beginning, my plan was to build this story around my mother’s life – to portray her family background, the early hardships of her childhood, her dreams and accomplishments, and her valiant efforts as a single mother enduring the stigma of a mentally ill husband.

The first time I interviewed my mother, she enthusiastically provided many hours of taped interviews. I was surprised at how many personal experiences she shared, although in a few instances, I convinced her to tell me things only by reassuring her that the book would be fiction and all names would be changed.

My mother’s memories of the sights and sounds of the pogroms her family suffered through always impressed young family members who became her audience through the years. Although she didn’t remember the historical sequence of some of the events, she gave me enough detail to allow me to draw upon historical research to confirm the information she provided and to use my imagination to fill in possible scenarios, consistent with factual records of the same time periods.

After interviewing my mother, I decided to speak with other relatives to strengthen the story that was emerging. Each interviewee added an important dimension, but they didn’t always remember things in a consistent way. And they all left some gaps in the story.

Writing the book as fiction allowed me to enhance some of the memories. It also enabled me to include dialogue that might have taken place as I tried to capture the voices of  the people and the humor in their Yiddish phrases.

I never intended this book to be a genealogical study of our family. I know some of my relatives have done such studies and have more information than I do about the genealogy. Because my mother had so many relatives, I had to leave some out who were not central to her story. I had to combine other characters, including many who were dear friends to my mother. I even imagined a few characters who could have played a significant role in the action. For me the important thing is that the book celebrates my mother’s courage and my family’s resilience…and those features are not fictional.